This is why working with colleagues like Dr. As a survivor of both child sexual abuse and adult sexual assault, and having endured many abuses during my almost 20-year career as a professional dancer in Hollywood, I found that when I tried to speak up and advocate for myself, I was met with more reinforcement and praise for my compliance in staying silent. However, I want to provide some context about why this work is important to me. One of the benefits of this is that it can be revisited if you need to take a break. You know, so for me, I know I'm, and I think that it's just important at the front of this, just because our work does go on the continuum of abuses, all the way to the more extreme form terms of sexual abuse and sex trafficking and objectification. And in many cases, we were actually met with the opposite, with people telling us that we needed to be silenced, that the show must go on. And we were not met with an open ear or an open heart. Leslie : I think for many of us that become advocates and educators beyond the moves, it is really rooted in our own personal frontline experience and feeling like we didn't have advocates, feeling like we didn't have a support system, feeling that we were maybe even brave and courageous and we tried to speak up about things that fell out of alignment to us or felt scary or unsafe. Steven Karageanes, what is your inspiration and motivation for committing to this work and how do you stay committed through the most challenging times? Our guests are Leslie Scott Zanovich* and Dr. There will be slight mentions of sexual abuse within this article, please protect your peace, and give yourself the space and grace needed. Steven Karageanes about What are the dangers of not taking an artist-centered approach to working in the performing arts industry? Taking an ARTIST-CENTERED Approach to Working in the Performing Arts Industry Welcome to Beyond the StEPS We are talking to Leslie Scott Zanovitch and Dr.
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